Edmund Bristow – Nine Pins
oil on panel
Location: Private Collection
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the left, a figure clad in dark, somewhat worn clothing stands observing the proceedings. A small dog sits attentively at their feet, adding to the sense of domesticity and quiet observation. This individual’s posture suggests a degree of detachment or perhaps a role as an onlooker rather than a direct participant.
The central figures are more actively involved. One man, wearing a white apron and what seems to be a bee-keeping hat, gestures towards another figure who is bent over, retrieving one of the pins. This interaction implies instruction or playful competition. A young boy stands nearby, partially obscured by a wooden fence, seemingly absorbed in the game as well.
Behind them, a substantial timber-framed building dominates the background. A woman appears at an open doorway, her presence suggesting the domestic sphere and providing a sense of scale to the scene. The architecture itself is characteristic of rural dwellings, reinforcing the paintings setting.
The light source seems to originate from the upper left, casting shadows that define form and add depth to the composition. The sky is partially visible, displaying patches of blue interspersed with cloud cover, contributing to a sense of atmospheric realism.
Subtleties within the scene hint at social dynamics and class distinctions. The clothing worn by the figures suggests varying levels of prosperity; the man in the apron appears more comfortable than the figure on the left. The presence of the dog further underscores this distinction, as pets were often markers of relative affluence.
The game itself, with its simple implements and informal setting, speaks to a leisurely pursuit enjoyed by people of modest means. It is not an activity requiring specialized equipment or training, but rather one that can be readily accessed and shared within a community. The overall impression conveyed is one of unpretentious enjoyment and the quiet rhythms of rural life.