Edmund Bristow – The Eel Catcher
1812 oil on canvas
Location: Ferens Art Gallery, Hull Museums, Hull.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To his left stands a young boy, clad in simple clothing, who gazes intently at the same net. A small dog sits attentively near the boy’s feet, its gaze also directed towards the central element of the scene. The ground is littered with various objects: earthenware vessels, baskets, and what appear to be tools or containers related to fishing or trapping. These items are clustered around a partially submerged structure that could be interpreted as a small dock or platform extending into the water.
The lighting in the painting is dramatic; it highlights the net and the figures while leaving much of the background shrouded in shadow, creating a sense of depth and mystery. The dense vegetation contributes to this atmosphere, suggesting an isolated location removed from civilization.
Subtleties within the scene hint at deeper meanings. The man’s attire suggests a connection to local customs or traditions, possibly indicating a rural setting and a livelihood tied to the natural environment. The presence of the boy implies a passing down of knowledge or skills – a generational link in this particular craft. The dogs inclusion adds an element of domesticity and companionship within this otherwise solitary occupation.
The net itself is symbolic; it represents both the means of sustenance for these individuals and potentially, a trap – a metaphor for life’s challenges and uncertainties. The careful attention given to its handling suggests respect for the process and perhaps a recognition of its precariousness. Overall, the painting conveys a sense of quiet industry, tradition, and an intimate relationship with nature.