Samuel Colman Jr – Old Tower at Avignon
~1875. 20×23 cm
Location: Art Institute, Chicago.
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The surrounding architecture consists primarily of low-lying buildings, their forms indistinct and unified by a similar palette of muted browns and grays. These structures appear densely packed, creating a sense of enclosure around the tower. The landscape itself slopes gently towards the waters edge, with rocky outcroppings visible along the shoreline. A small boat rests near the bank, adding a touch of human presence to the scene.
The water reflects the sky and surrounding architecture, blurring the distinction between foreground and background. The sky is overcast, contributing to a somber and subdued atmosphere. Light appears diffuse, lacking strong contrasts; this creates an overall sense of stillness and quietude.
A key element in understanding the work lies in its treatment of perspective. While theres a discernible recession into space, it’s softened by the atmospheric haze and the lack of sharp lines. This contributes to a feeling of distance and perhaps even melancholy. The artist seems less interested in precise topographical accuracy than in conveying an emotional response to the scene – a sense of history, solitude, and the passage of time.
The painting evokes themes of memory and decay. The tower’s prominence suggests its historical significance, while its dilapidated condition implies a gradual decline. The muted color scheme reinforces this feeling of faded grandeur. Theres a suggestion that the artist is contemplating not just the physical structure but also the stories it holds – the lives lived within its walls, the events it has witnessed. The presence of water, often symbolic of transition and reflection, further enhances this contemplative mood.