Samuel Scott – Action off the Cape of Good Hope
c.1757. 67×95
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist’s use of light and shadow is significant. A diffused, overcast sky casts a somber tone over the scene, while bursts of white smoke contrast sharply with the dark hulls of the ships and the inky blackness of the sea. This interplay highlights the intensity of the battle and creates a sense of dramatic tension. The water itself appears choppy, reflecting the chaotic nature of the encounter.
The composition is dynamic; the diagonal lines created by the ships’ positions suggest movement and instability. Theres an absence of human figures on deck, which shifts the focus away from individual heroism or suffering and towards the impersonal machinery of war. This lack of detail regarding personnel contributes to a sense of detachment, emphasizing the scale and consequence of naval conflict rather than personal narratives.
Subtly, the painting conveys themes of power, control, and the vastness of the ocean as a stage for geopolitical struggles. The obscured horizon line reinforces the feeling of isolation and the potential for endless conflict. The smoke obscures more than it reveals, hinting at the uncertainty inherent in warfare and the hidden costs associated with such confrontations. It is not merely a depiction of a battle; it’s an exploration of naval dominance and the precariousness of maritime power during a period of colonial expansion.