Monika, daughter of the artist Sabine Lepsius (1864?1942)

Here we observe a portrait of a young girl seated on what appears to be a draped surface. The composition is centered around her figure, which dominates the frame. She is positioned in a three-quarter view, allowing for a clear depiction of her face and upper body. Her posture suggests a relaxed informality; she sits cross-legged, with one foot slightly forward, creating a sense of casualness.
The girl’s attire consists of a light-colored dress with delicate lace detailing at the neckline and sleeves. A simple ribbon adorns her hair, which falls in loose waves around her shoulders. Her expression is gentle, with a slight smile playing on her lips; it conveys an impression of innocence and quiet contentment. The artist has rendered her skin tones with considerable sensitivity, capturing the subtle nuances of light and shadow that define her features.
The background is deliberately subdued, consisting of dark, indistinct drapery. This serves to isolate the figure and direct the viewer’s attention towards her. Hints of decorative patterns are visible within the folds of the fabric, suggesting a domestic interior setting, though these details remain largely obscured by the darkness. The limited color palette – primarily warm yellows, creams, and browns – contributes to an overall feeling of intimacy and nostalgia.
Subtly, the bare feet introduce a note of vulnerability and immediacy. They suggest a lack of formality and perhaps a connection to childhood innocence. The artist’s choice to depict her in this manner implies a desire to capture not just a likeness but also a sense of personality and character. There is an underlying tenderness in the portrayal, hinting at a familial relationship between the subject and the creator. The painting evokes a feeling of quiet contemplation, inviting viewers to reflect on themes of childhood, domesticity, and personal connection.