Richard Earlom – Labourers
1790. 39×43
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A team of two horses is harnessed to the cart, their muscular forms suggesting considerable strength required for the task. The animals’ posture conveys a quiet determination as they pull against the weight. A dog lies languidly near the edge of a small body of water in the foreground, seemingly indifferent to the activity unfolding nearby.
The background reveals a broader landscape – a gently sloping field leading towards a cluster of buildings and trees on the horizon. The sky is overcast, lending a muted quality to the light and contributing to an overall atmosphere of quiet industry rather than celebratory abundance. A sense of depth is achieved through atmospheric perspective; distant elements are rendered with less detail and softer tones.
Subtleties within the scene suggest a commentary beyond mere depiction of work. The figures’ attire indicates a modest social standing, yet their presence is dignified. They are not portrayed as downtrodden or miserable, but rather as integral components of a functioning rural economy. The inclusion of the dog introduces an element of domesticity and perhaps a suggestion of leisure within the context of labor.
The compositions balance – the interplay between the dense foliage on the left and the open field on the right – creates a visual harmony that underscores the integration of human effort with the natural environment. It is not merely a depiction of toil, but an observation of a way of life deeply connected to the land.