Carl Larsson – A Pleasant Bathing-Place. From A Home
32×43
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
A nude boy stands atop a tall wooden structure positioned near the seesaw. His pose suggests a moment of precarious balance or perhaps an attempt at reaching something beyond his grasp. The placement of this figure draws immediate attention, creating a focal point that contrasts with the more conventional activities unfolding below. A disembodied head floats in the water nearby, adding a surreal and unsettling element to the otherwise idyllic scene.
Beyond the immediate play area, a village stretches along the far bank. Houses are rendered in muted colors, suggesting distance and a sense of established community. The sky is overcast with a diffused light, contributing to a somewhat melancholic atmosphere despite the apparent joyfulness of the children’s activities. A dog sits patiently near the seesaw, seemingly observing the scene with quiet attentiveness.
The paintings subtexts are complex. While ostensibly depicting carefree recreation, the inclusion of the nude boy and the floating head introduces an undercurrent of vulnerability and perhaps even a subtle commentary on innocence lost or threatened. The contrast between the lively children and the distant village suggests a separation between youthful exuberance and adult responsibility. The overall impression is one of fleeting moments of joy tinged with a sense of transience, hinting at the inevitable passage of time and the complexities that lie beyond childhoods simplicity. The artist seems to be exploring themes of growth, exposure, and the delicate balance between pleasure and unease within a domestic setting.