Carl Larsson – Lisbeth Angling. From A Home
32×43
Location: National Museum (Nationalmuseum), Stockholm.
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Here we see a young girl, clad in a dark blue dress and a distinctive red hat, positioned on the left side of the frame. Her posture suggests focused concentration as she holds a fishing rod, her gaze directed toward the water where a subtle ripple indicates the presence of her line. The figure’s back is turned to the viewer, fostering a sense of introspection and detachment from direct engagement.
The landscape itself is rendered with a muted palette dominated by greens, yellows, and pale blues. A dense band of trees lines the far shore, punctuated by glimpses of what appear to be small structures or buildings nestled within the foliage. The sky above is filled with swirling cloud formations, adding a dynamic element to an otherwise tranquil scene.
The water reflects the surrounding landscape, creating a sense of visual harmony and doubling the presence of the distant trees. A subtle distortion in the reflection near the angler’s feet hints at the movement of the water and subtly disrupts the mirrored image. The bridges wooden structure is depicted with careful attention to detail, emphasizing its materiality and providing a grounding element within the composition.
Subtly, the painting evokes themes of solitude, contemplation, and connection with nature. The girl’s isolated posture suggests an inward focus, while her activity – angling – implies a patient engagement with the natural world. The muted color scheme contributes to a feeling of quietude and serenity. The absence of other human figures reinforces the sense of isolation and invites reflection on the individuals relationship with their surroundings. The scene appears to be one of domesticity and leisure, hinting at a life lived in harmony with nature.