Carl Larsson – A Day of Celebration. From A Home
1895. 32×43
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a group of figures engaged in what appears to be a wedding or significant festive occasion. An elaborately dressed couple stands prominently near a balcony-like structure with red and white striped railings. The man wears formal attire, including a top hat and military-style jacket, while the woman is adorned in a white dress with intricate detailing and a decorative headdress. Their posture suggests formality and perhaps a degree of social standing.
Several children are present, their expressions ranging from excitement to curiosity. One child, positioned centrally, holds a wreath, seemingly participating in a ritualistic exchange or game associated with the celebration. Another child is playfully interacting with an older man dressed in what appears to be a theatrical costume – a dark cloak and a mask that obscures his face, holding a sword. This figure introduces an element of folklore or tradition, hinting at a connection to local customs and perhaps even pagan roots. The presence of the sword could symbolize protection, honor, or a symbolic vanquishing of ill fortune.
The interior is richly decorated with garlands strung across the ceiling, interspersed with what appear to be apples – a recurring motif that may carry symbolic weight related to fertility, abundance, or knowledge. A large bed dominates the background, draped in white fabric and adorned with decorative pillows. This suggests themes of domesticity, marriage, and new beginnings. The window on the right side allows light into the room, highlighting the details of the interior and contributing to a sense of warmth and intimacy.
Subtly, theres an interplay between formality and informality. While the couple embodies societal expectations through their attire and posture, the children’s unrestrained joy and the masked figure’s playful interaction introduce a layer of spontaneity and tradition that softens the rigidness of the formal setting. The painting seems to explore the intersection of social customs, familial bonds, and the enduring power of folklore in shaping communal celebrations. It suggests a moment suspended between past traditions and future aspirations within a close-knit community.