Carl Larsson – Autumn
1884. 92×60
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The color palette is dominated by muted tones – soft blues, greens, browns, and creams – evoking the characteristic hues of fall. Light filters through the bare branches of a tree, casting dappled shadows across the ground and highlighting the texture of the earth. The brushwork appears loose and fluid, typical of watercolor technique, contributing to an overall sense of transience and fragility.
A small bird perches on top of the fence, adding a touch of life and movement to the otherwise still composition. It is rendered with delicate detail, contrasting with the more generalized treatment of the surrounding environment. The bench situated near the figure suggests a space for rest or reflection, further reinforcing the theme of solitude and introspection.
The painting’s subtexts revolve around themes of loss, memory, and the passage of time. The womans averted gaze implies an internal struggle or a longing for something beyond her immediate surroundings. The autumnal setting itself symbolizes decay and the end of a cycle, hinting at a sense of resignation or acceptance. The overall effect is one of quiet beauty tinged with melancholy, inviting viewers to ponder the complexities of human emotion within the context of natures rhythms.