Carl Larsson – The Dining Room. From A Home
32×43
Location: National Museum (Nationalmuseum), Stockholm.
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The room’s walls are paneled in a muted green, providing a backdrop to the prominent window arrangement. This window is divided into three sections, each containing framed depictions – seemingly narrative scenes with figures and landscapes. The inclusion of these pictorial elements suggests an interest in storytelling or perhaps a desire to elevate the everyday experience of dining through artistic engagement.
Above the doorframe, a decorative frieze bears text in what appears to be French: Bien faire et laisser dire. This phrase, translating roughly to “do well and let others say what they will,” introduces a layer of philosophical commentary. It might imply an attitude of self-assuredness or a detachment from external judgment within the household.
The furniture is characterized by its ornate detailing – particularly noticeable in the table legs and the decorative elements on the sideboard visible along the left wall. This suggests a certain level of affluence and a commitment to aesthetic refinement. The presence of a small, dark cat near the base of the table adds a touch of domestic realism and perhaps a subtle hint of playfulness within the otherwise formal setting.
The overall impression is one of quiet contemplation and restrained elegance. While the room appears functional – designed for dining – it also functions as a stage for displaying artistic taste and personal values, hinting at a household that prizes both practicality and intellectual pursuits. The subdued color palette and the slightly drooping flowers contribute to an atmosphere that is not overtly joyful but rather imbued with a sense of thoughtful introspection.