Malevitj Red square – Painterly realism of a peasant woman i Kazimir Malevich (1879-1935)
Kazimir Malevich – Malevitj Red square - Painterly realism of a peasant woman i
Edit attribution
Download full size: 817×818 px (0,0 Mb)
Painter: Kazimir Malevich
Album navigation:
This work of art was created by Kazimir Malevich. The painting was created by the artist in the twentieth century, specifically in 1915. On the reverse side you can read the second title of the masterpiece - "Woman in Two Dimensions". Describing the painting, we can say that it consists of a quadrangle painted red, which is located on a white background. Now you can look at the "Red Square" by visiting the Russian Museum.
ArtClub
Best Contemporary Atists
Description of the painting "The Red Square" by Kazimir Malevich
This work of art was created by Kazimir Malevich. The painting was created by the artist in the twentieth century, specifically in 1915. On the reverse side you can read the second title of the masterpiece - "Woman in Two Dimensions". Describing the painting, we can say that it consists of a quadrangle painted red, which is located on a white background.
Now you can look at the "Red Square" by visiting the Russian Museum. In 1920, the author of the work of art gave it a second meaning, which stated the approaching revolution.
As for the meaning of the painting, Ksana Blank dared to compare the suprematism of Kazimir Malevich and the work of Leo Tolstoy. In one story by Tolstoy, there is a description of a room where the protagonist is overcome by longing. The room looks like this. The walls of the room are whitewashed white. The space itself had a square shape, which had a very strong effect on the man. Only one window was present, on which a curtain of red was hung. Thus it is believed that the red square symbolizes longing.
Malevich had earlier explained the meaning of his first "Black Square". He was saying that for the author, the square was a feeling, and the white background was the emptiness that hid behind that feeling. In this connection, Xana Blank came to the conclusion that the painting "Red Square" symbolizes the fear of the arrival of imminent death and the fear of emptiness in human life.
Some scholars believe that the red square is a symbol of blood. It has been repeatedly suggested that the described picture carries the fear of the deed and the unrealized. It remains to note the depth of thought invested in his creation, the author, which turned out to be more than relevant at the time of the creation of the world-famous masterpiece.
You cannot comment Why?
The artwork presents a stark visual composition: a saturated red square positioned centrally against a pale, off-white background. The surface appears relatively uniform, though subtle variations in tone and texture are discernible within both the red form and the surrounding field. These irregularities suggest an application of paint that isnt entirely smooth or mechanical; there’s a sense of handcrafting present.
The dominant impression is one of reduction – a stripping away of representational elements to focus solely on color, shape, and spatial relationships. The square itself doesnt depict anything recognizable in the traditional sense. It exists as an autonomous form, its meaning derived not from what it is, but from how it interacts with its environment within the frame.
The background’s coloration is crucial; it isnt a pure white, but rather a muted cream or beige. This softens the impact of the red and prevents the composition from feeling aggressively confrontational. The slight texture visible in the background also contributes to this sense of subtlety, suggesting an aged surface or a deliberate attempt to avoid pristine perfection.
Subtextually, the work invites contemplation on fundamental concepts: form, color, space, and perception. The simplicity can be interpreted as a rejection of conventional artistic values – narrative content, illusionistic depth, and emotional expression through figurative representation. It’s possible to read this as an assertion of pure feeling or a symbolic statement about the reduction of experience to its most essential components.
The deliberate flatness challenges the viewers expectations regarding pictorial space. The square doesn’t recede; it exists on a plane that denies traditional perspective. This reinforces the idea of the artwork as an object in itself, rather than a window onto another world. Ultimately, the work’s power resides in its ambiguity and capacity to evoke diverse interpretations based on individual experience and cultural context.