Kazimir Malevich – malevich93
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Around him unfolds a chaotic tableau. A figure in military attire leaps across his back, seemingly attempting to dislodge him. Several other figures, also dressed in uniforms, are positioned in the background, appearing as if engaged in some form of conflict or pursuit. The landscape is stylized; trees and foliage are depicted with simplified forms, contributing to the overall sense of unreality. Numerous arrow-like shapes sprout from the ground, adding a layer of visual complexity and potentially symbolizing attack or threat.
The color palette is bold and limited, primarily utilizing red, green, yellow, and black. The intense red of the central figure’s robe immediately draws attention and could be interpreted as symbolic of power, passion, or even anger. The stark contrast between colors enhances the dramatic effect of the scene.
A Cyrillic inscription appears at the bottom of the drawing. Without translation, its precise meaning remains inaccessible, but it likely provides context or commentary related to the depicted events.
The work’s subtexts appear to revolve around themes of political oppression and resistance. The elderly man could represent an established authority figure being challenged by younger forces – perhaps a symbol for the old regime facing revolutionary upheaval. The leaping military figure suggests an attempt at forceful removal, while the arrows emanating from the ground imply a pervasive sense of danger or persecution. The exaggerated features and cartoonish style lend a satirical edge to the depiction, suggesting a critique of power structures and societal injustices. Overall, the drawing conveys a narrative of struggle and defiance through a combination of visual symbolism and caricature.