Ernst Ferdinand Oehme – Wetterhorn
1829. 141x184
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has rendered the mountains with meticulous detail, capturing the interplay of light and shadow on their rocky surfaces. The snow-capped summits appear almost tangible, conveying a sense of immense height and permanence. A palpable coolness emanates from these heights, contrasting with the warmer tones of the valley below. The sky is partially obscured by cloud cover, which softens the overall luminosity and introduces an element of atmospheric depth.
In the foreground, human presence is subtly integrated into the natural environment. A small group of figures can be discerned near a wooden structure spanning the river; they appear to be tending livestock. This inclusion suggests a relationship between humanity and nature – not one of dominance, but rather of coexistence within this dramatic landscape. The placement of these figures emphasizes the vastness of the surroundings, highlighting their relative insignificance against the grandeur of the mountains.
The river itself acts as a visual guide, leading the viewers eye deeper into the valley. Its winding course creates a sense of movement and dynamism, contrasting with the static solidity of the mountain range. The vegetation is rendered in varying shades of green, suggesting depth and texture within the landscape.
Subtly, the painting conveys an appreciation for the sublime – that feeling of awe and wonder inspired by nature’s power and beauty. It speaks to a desire to connect with something larger than oneself, finding solace and inspiration in the untamed wilderness. The careful arrangement of elements suggests a deliberate attempt to evoke a sense of tranquility and reverence for the natural world, while simultaneously acknowledging its imposing scale and potential for overwhelming force.