Bromolle Farm with Chickens 1924 Oil on canvas 64.77 x 44.45 cm (25½" x 17½") Private collection Peder Mork Monsted (1859-1941)

Here we observe a rural scene centered around a weathered farmhouse. The structure itself is rendered with considerable detail; its whitewashed walls show signs of age and exposure, while the thatched roof appears thick and moss-covered, suggesting a long history and integration with the natural environment. A sturdy red door provides a focal point on the facade, contrasting with the muted tones of the buildings exterior. To the side of the house, a lean-to structure holds various tools and implements, hinting at the agricultural activities that take place within this setting.
The foreground is dominated by a patch of vibrant wildflowers blooming amidst a scattering of stones. Three chickens – a white rooster and two black hens – are positioned prominently in this area, adding life and movement to the composition. The rooster’s posture suggests alertness and dominance, while the hens appear more subdued.
Beyond the farmhouse, a large tree with bare branches reaches towards the sky, its trunk partially obscured by a low stone wall. A dense woodland forms the backdrop, painted with varying shades of green that suggest new growth and springtime foliage. The light appears diffused, creating a soft atmosphere and minimizing harsh shadows. This contributes to an overall sense of tranquility and quietude.
The painting’s subtexts revolve around themes of rural life, tradition, and the passage of time. The dilapidated state of the farmhouse speaks not only to its age but also perhaps to a fading way of life – a connection to the land that may be diminishing. The chickens symbolize domesticity and sustenance, while the wildflowers represent resilience and beauty even in humble surroundings. The tree’s bare branches could signify dormancy or transition, hinting at cycles of renewal.
The artists meticulous attention to detail, particularly in rendering textures like the thatched roof and weathered walls, suggests a reverence for the subject matter and an appreciation for the simple dignity of rural existence. The composition evokes a sense of nostalgia and invites contemplation on the relationship between humanity and nature.