Scenes from the Life of Saint Jerome Lazzaro Bastiani (1429-1512)

The triptych presents a sequence of narrative scenes unfolding across three distinct panels, unified by a consistent palette of earthy tones and a shared compositional structure. The overall effect is one of solemnity and introspection, characteristic of devotional works intended for private contemplation.
In the leftmost panel, we observe a figure emerging from an arched doorway within a colonnaded structure. He appears to be in motion, his robes swirling around him as he walks towards two other figures standing further along a path lined with vegetation. The architectural setting suggests a place of learning or religious significance, perhaps a monastery or academy. The positioning of the individuals implies a moment of departure or transition, hinting at a journey either physical or spiritual.
The central panel depicts a more desolate landscape dominated by a prominent cross erected against a barren hillside. A figure kneels in supplication before the cross, while another lies prostrate on the ground nearby. A dog sits attentively beside the kneeling individual, adding a touch of domesticity to this otherwise austere scene. The starkness of the environment and the postures of the figures convey themes of sacrifice, repentance, and profound spiritual anguish.
The rightmost panel portrays what appears to be a funeral procession taking place within an enclosed space, likely a church or chapel. A group of robed individuals surrounds a raised platform upon which lies a shrouded figure. The solemnity of the scene is emphasized by their downcast eyes and gestures of mourning. This final episode suggests closure, perhaps marking the end of a life dedicated to faith and service.
Subtleties in the composition invite deeper consideration. The consistent use of architectural framing devices – arches, doorways, columns – creates a sense of enclosure and directs the viewers gaze towards the central figures in each panel. The limited color range reinforces the mood of austerity and introspection. The inclusion of animals, particularly the dog in the central scene, introduces an element of human connection within the context of religious devotion.
The narrative progression across the triptych suggests a life story – a journey marked by learning, sacrifice, and ultimately, death. While the specific details remain ambiguous without further contextual information, the overall impression is one of profound spiritual significance and unwavering faith.