William Redmore Bigg – The Severe Steward, or Unfortunate Tenant
1800-01. 122×147
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The emotional weight of the event is primarily conveyed through the reactions of the family being displaced. The woman in the ochre dress raises her hands to her face in distress, while a young child kneels on the ground, clutching at her garments with evident anguish. Other women and children are present, their expressions ranging from sorrowful resignation to outright despair. Their clothing suggests a working-class background, emphasizing the vulnerability of this family facing displacement.
The composition directs attention towards the interaction between the formally dressed man and the distraught woman. The artist has skillfully used light and shadow to highlight these figures, drawing the viewers eye to the core drama. The surrounding landscape, though rendered with some detail, serves primarily as a backdrop, reinforcing the sense of isolation and loss experienced by the family.
Subtly, the painting conveys commentary on social inequality and the power dynamics inherent in land ownership. The formal attire of the man contrasts sharply with the simple garments of those being evicted, underscoring the disparity in their positions. The scene evokes a sense of injustice and human suffering, prompting reflection on the consequences of economic hardship and the precariousness of life for those dependent on the goodwill of others. The presence of the horse and the implied journey suggest not just displacement but also an uncertain future, adding to the overall feeling of melancholy and vulnerability.