Juan Ximénez, Spanish (active Aragon), first documented 1500, died 1505 – The Archangel Michael Philadelphia Museum of Art

Here we observe a devotional panel depicting a figure in full armor, positioned centrally against a dark background. The composition is rigidly vertical, emphasizing the subjects stature and conveying a sense of solemnity and unwavering resolve. A complex architectural framework, rendered in gilded tones, rises behind him, creating a halo-like effect that further elevates his status.
The individual stands erect, holding a long spear diagonally across his body. His left hand rests on the hilt, while his right holds a shield bearing an emblem – a circular design with what appears to be a central medallion. The armor is meticulously detailed, suggesting both protection and martial prowess. A crimson cloak drapes over his shoulders, providing a vibrant contrast against the metallic sheen of the armor and adding visual interest.
The face exhibits a restrained expression; the eyes are directed forward with an intensity that suggests piety and vigilance. The artist has rendered the skin tone with subtle gradations, avoiding excessive detail in favor of conveying a sense of inner strength and spiritual purity. At his feet lies a scattered collection of objects – fragments of what appear to be broken weaponry or defeated adversaries – a symbolic representation of triumph over evil.
The dark background serves to isolate the figure, drawing attention solely to him and reinforcing his role as an intermediary between the earthly realm and the divine. The overall effect is one of austere grandeur, intended to inspire reverence and contemplation in the viewer. The painting’s style suggests a regional artistic tradition characterized by its emphasis on realism within a devotional context, prioritizing symbolic meaning over naturalistic representation.