Philadelphia Museum of Art – Joshua Johnson, American (active Baltimore), active 1797-1825 -- Portrait of Edward Asquith
c. 1810. 57.2 x 46.7 cm
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The clothing contributes significantly to the portrait’s overall impression. He is dressed in a dark coat with a high collar and a white shirt fastened with a simple tie. The simplicity of the attire speaks to a certain modesty, while the quality of the fabric implies prosperity. His hands are prominently displayed; one rests on what seems to be a table or ledge, while the other holds a folded piece of paper. This gesture is particularly noteworthy – it suggests engagement in correspondence, intellectual pursuits, or perhaps even an official capacity. The careful handling of the document lends weight to his perceived importance.
The background is relatively sparse and lacks detail, drawing attention solely to the subject. A dark green curtain is visible on the right side, providing a contrasting backdrop that emphasizes the man’s figure. The limited color palette – dominated by blacks, whites, and muted tones – reinforces a sense of formality and restraint.
Subtleties in the execution reveal certain artistic choices. The rendering of the face, while not entirely naturalistic, strives for a likeness, capturing individual features with a degree of precision. There is an intentional flatness to the composition; depth is suggested rather than fully realized, which aligns with the conventions of early American portraiture.
The overall effect is one of quiet dignity and understated authority. The sitter’s posture, gaze, and gesture combine to project an image of a man who values propriety, intellect, and perhaps social standing. He appears self-possessed and comfortable in his position within society, suggesting a life of purpose and responsibility.