Domenico di Bartolo (Domenico di Bartolo Ghezzi), Italian (active Siena and Perugia), first documented 1420, last documented 1444-45 – Virgin and Child Philadelphia Museum of Art

Here we observe a devotional panel depicting a mother holding an infant. The composition is vertically oriented and framed by a dark background that emphasizes the figures within. A golden halo surrounds both the woman and the child, signifying their sanctity. The womans face exhibits a solemn expression; her gaze directed forward with a quiet intensity. She wears a dark blue robe adorned with intricate patterns of gold and black, suggesting wealth and status.
The infant is positioned centrally, nestled against his mother’s chest. He appears robust, with rounded features and a direct, almost challenging stare. The childs skin tone contrasts sharply with the woman’s darker complexion, creating visual distinction. A vibrant red cloth drapes over the lower portion of the composition, adding a splash of color and drawing attention to the infant’s posture – his hand is raised in what appears to be a gesture of blessing or offering.
A scroll unfurls from behind the mothers figure; its inscription remains illegible but serves as a visual cue indicating divine communication or prophecy. The upper portion of the panel features a dense arrangement of dark foliage, possibly roses and other flowering plants, which create a decorative border around the central figures. This botanical motif may symbolize purity, love, or the Virgin Mary’s role in salvation.
The artists use of light is notable; it illuminates the faces and hands of the figures while leaving portions of their garments in shadow. The overall effect conveys a sense of reverence and piety, characteristic of religious art from this period. The deliberate formality of the poses and the limited emotional range contribute to an atmosphere of solemnity and contemplation.