Philadelphia Museum of Art – Luca Giordano, Italian (active Italy and Spain), 1632-1705 -- Saint Sebastian Cured by Irene
c. 1665. 184.1 x 276.2 cm
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Above him, three cherubic figures hover, one holding a crown of thorns. Their presence introduces an element of celestial grace and suggests a connection to a higher power, possibly signifying divine reward or recognition of suffering. Light emanates from these figures, illuminating the central scene and drawing attention to the man’s wounds.
To the right, two female figures are engaged in tending to him. One, dressed in vibrant red robes with a white undergarment, leans intently over the injured man, her expression one of focused care and compassion as she examines his leg. The other woman, cloaked in brown and grey garments, stands slightly behind, observing the scene with an air of solemnity and perhaps reverence. Her posture suggests a role beyond mere physical assistance; she may represent faith or spiritual guidance.
The background is largely obscured by shadow, creating a sense of isolation and emphasizing the intimacy of the moment. The limited palette – dominated by earth tones, reds, whites, and blacks – contributes to the overall somber mood.
Subtly, the scene explores themes of suffering, healing, and divine mercy. The contrast between the man’s physical vulnerability and the ethereal presence of the cherubs highlights the interplay between human pain and spiritual solace. The womens actions suggest a narrative of compassion and restoration, hinting at a larger story of redemption or miraculous intervention. The composition evokes a sense of quiet drama, inviting contemplation on themes of faith, sacrifice, and the power of healing.