Philadelphia Museum of Art – Richard Wilson, Welsh, 1713-1782 -- Lake Avernus I
c. 1765. 70.5 x 89.5 cm
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The landscape beyond the water is layered with successive ranges of hills and mountains, gradually diminishing in size and detail as they recede into the distance. A ruined structure, likely an ancient archway or temple remnant, punctuates the mid-ground, hinting at a history obscured by time and natures reclamation. Further back, atop one of the higher elevations, a fortified building is visible, its presence suggesting human intervention within this otherwise wild setting.
The sky occupies a significant portion of the upper register, displaying a complex arrangement of clouds that diffuse the light and create a sense of depth. The color palette leans towards muted greens, browns, and grays, with touches of blue in the water and sky. Light appears to emanate from behind the viewer, illuminating the foreground and casting long shadows across the landscape.
The presence of the figures introduces an element of human scale and narrative ambiguity. Their posture and gestures suggest contemplation or storytelling, inviting speculation about their relationship to the surrounding environment and its history. The ruined structure and fortified building contribute to a sense of melancholy and the passage of time, evoking associations with classical antiquity and the transience of human endeavors.
The overall effect is one of sublime grandeur – a landscape that inspires awe through its scale and beauty while simultaneously hinting at themes of decay, loss, and the enduring power of nature. The deliberate placement of elements, from the prominent stone to the distant ruins, creates a carefully constructed visual experience designed to evoke emotional response in the viewer.