Attributed to Dierick Bouts, Netherlandish (active Louvain), first securely documented 1447, died 1475 – Moses and the Burning Bush, with Moses Removing His Shoes Philadelphia Museum of Art

The composition presents a narrative scene unfolding within a carefully constructed landscape. A central figure, presumably the protagonist, is depicted kneeling on uneven ground, his posture suggesting both reverence and surprise. He raises one hand towards the sky in what appears to be an expression of astonishment or perhaps supplication. His attire consists of a blue tunic beneath a vibrant red cloak, colors that contribute to the visual drama of the moment.
To the left, emerging from behind a rocky outcrop, stands another figure enveloped within a fiery bush. This individual’s face is partially obscured by the flames, yet his gesture – an extended hand holding what seems to be a vessel – suggests an act of offering or communication. The light emanating from the bush illuminates him and casts shadows across the surrounding terrain, creating a sense of otherworldly presence.
Further into the scene, another figure is shown in the process of removing his footwear, reinforcing the narrative’s association with obedience and humility before the divine. He is positioned on slightly elevated ground, looking towards the central kneeling figure. The inclusion of sheep grazing peacefully in the background adds a pastoral element to the setting, evoking themes of innocence and tranquility.
The landscape itself is rendered with meticulous detail; rolling hills, scattered trees, and distant buildings establish a sense of depth and perspective. A muted color palette dominates the background, contrasting with the brighter hues used for the figures’ clothing and the fiery bush. The artists attention to texture – evident in the depiction of rocks, foliage, and fabric – contributes to the overall realism of the scene.
Subtly embedded within this visual narrative are layers of meaning related to divine revelation, obedience, and humility. The act of removing one’s shoes signifies a recognition of sacred ground, while the fiery bush symbolizes Gods presence and power. The kneeling figure’s posture embodies submission and awe in the face of the supernatural. The pastoral setting provides a counterpoint to the dramatic events unfolding, suggesting that even within ordinary landscapes, extraordinary encounters can occur.