Giovanni Battista Tiepolo, Italian (active Venice, Udine, Würzburg, and Madrid) 1696-1770 – Sketch for “The Glory of Saint Dominic” Philadelphia Museum of Art

Here we observe a dynamic composition dominated by figures ascending through a turbulent sky. The central figure, draped in white robes and with arms raised in what appears to be either supplication or triumph, is surrounded by a throng of winged beings. These figures are rendered in varying degrees of detail; some appear as fully formed individuals, while others are suggested through quick brushstrokes and color washes, contributing to the overall sense of movement and ethereal quality.
The palette is warm and predominantly earthy, with ochres, browns, and reds forming the base tones. The white of the central figure provides a stark contrast against this backdrop, drawing immediate attention. Hints of blue and pink are incorporated within the wings of some figures, adding visual interest and suggesting a celestial origin. The sky itself is not depicted as a uniform expanse but rather as a swirling mass of clouds, rendered with loose brushwork that conveys both depth and instability.
The arrangement of the figures suggests a hierarchical structure. The central figure seems to be elevated above the others, perhaps signifying his importance or divine status. The winged beings appear to support him, their postures conveying a sense of reverence and assistance. To the right, a solitary figure with dark red robes is positioned lower in the composition, seemingly observing the scene from below. This placement could imply a role as witness or even an antagonist.
The sketch’s unfinished quality contributes significantly to its impact. The lack of precise detail allows for a greater focus on the overall movement and emotional intensity of the scene. It feels like a moment captured mid-action, a fleeting glimpse into a larger narrative. This immediacy lends itself to a sense of drama and spiritual fervor.
Subtly, there is an interplay between light and shadow that enhances the dramatic effect. The highlights on the figures’ bodies suggest a divine illumination, while the darker areas create depth and mystery. The compositions overall impression is one of ascension, glory, and perhaps even intervention – a moment suspended between earthly existence and the realm of the divine.