Philadelphia Museum of Art – John Singleton Copley, American, 1738-1815 -- Portrait of Mr. and Mrs. Thomas Mifflin (Sarah Morris)
1773. 156.5 x 121.9 cm
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The woman is seated beside him, her gaze directed outward, beyond the viewer. She wears a pale grey dress with delicate lace detailing at the neckline and sleeves, adorned with a floral brooch prominently displayed on her chest. Her hands are engaged in needlework, a common symbol for domesticity and feminine virtue during this period. The meticulous rendering of the fabric textures – the sheen of the gentleman’s coat, the softness of the womans dress – demonstrates the artist’s technical skill.
The setting is defined by stark contrasts. A deep red wall serves as a backdrop to the figures, punctuated by a tall, classical column that frames a glimpse of an outdoor landscape through a window. The light entering from this window illuminates the subjects and creates a sense of depth within the room. The darkness beyond the column contributes to a feeling of enclosure and emphasizes the importance of the individuals depicted.
Subtleties in the composition suggest layers of meaning beyond a simple representation of a couple. The document they share implies involvement in matters of significance, potentially political or legal. The woman’s gaze directed away from her husband could be interpreted as a sign of independence or perhaps a subtle indication of an internal life separate from her role as wife. The needlework she performs reinforces the expectation of domesticity but also hints at diligence and skill – qualities valued in women of this era. Overall, the painting conveys a sense of prosperity, refinement, and social standing while subtly hinting at complexities within their relationship and individual identities.