Philadelphia Museum of Art – Josse Lieferinxe, French, documented 1493-1505/8 -- Saint Sebastian Cured by Irene
c. 1497. 81.3 x 54.8 cm
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To the left, a woman in dark robes and a wimple gestures towards the wounded man with a tool that resembles a surgical instrument. Her posture conveys both concern and focused action; she seems actively engaged in his treatment. A second figure, kneeling at the man’s feet, appears to be examining the wounds more closely. His attire – a vibrant red robe – contrasts sharply with the somber tones of the womans garments, drawing attention to his role within the scene.
Two additional men stand further back, observing the proceedings. One is dressed in a distinctive red cap and cloak, while the other wears a green overcoat. Their expressions are difficult to discern precisely, but their presence suggests witnesses or perhaps attendants involved in the man’s care. The positioning of these figures creates a sense of depth within the room, guiding the viewers eye towards the central drama.
The lighting is uneven, with strong illumination focused on the wounded figure and those attending him. This highlights the vulnerability of his body and emphasizes the act of healing. Shadows are cast across the walls and floor, contributing to an atmosphere of solemnity and perhaps even a touch of melancholy.
A small niche in the wall to the left contains a statue of a female figure holding a dish or platter – possibly alluding to divine intervention or patronage. The overall effect is one of quiet intensity; the scene conveys not only physical suffering but also themes of compassion, faith, and the restorative power of human kindness within a seemingly ordinary setting.