George Sidney Shepherd – The Serpentine, Hyde Park
mid-19th century. 16×24
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The foreground is defined by a rough-hewn wooden fence, indicating a boundary or viewing area. Beyond this barrier, figures populate the landscape – individuals on horseback, strolling along the shoreline, and gathered in small groups. Their attire suggests a period of relative formality; men are dressed in coats and breeches, while women wear long dresses with elaborate details. The presence of children adds a touch of domesticity to the overall impression.
The water itself reflects the sky above, contributing to an atmosphere of tranquility and openness. A small sign is visible near the tree, its text illegible but implying some form of regulation or information pertaining to the parks use. A distant structure, possibly a building or pavilion, can be discerned on the far right side, hinting at human intervention within this natural environment.
Subtly, the painting conveys an impression of leisure and social activity. The figures are engaged in leisurely pursuits – riding, walking, socializing – suggesting a space dedicated to recreation and enjoyment. The carefully composed arrangement of trees and water creates a picturesque vista, indicative of a deliberate design intended for aesthetic pleasure. The fence implies a controlled access, hinting at the parks status as a managed public space, likely accessible primarily to a specific social class. There is an underlying sense of order and refinement within what appears to be a natural setting, suggesting a cultivated landscape designed for human appreciation.