p hf bookplate110 #314 Harrison Fisher

The drawing presents a scene of apparent farewell or hurried departure. A woman, dressed in fashionable attire of what appears to be early twentieth-century style – a high-necked blouse, a full skirt, and a wide-brimmed hat adorned with ribbons – is depicted in motion, her arms raised as if waving or attempting to catch something. The swirling lines defining her skirt suggest movement, emphasizing the sense of urgency or excitement surrounding her actions. Her facial expression conveys a mixture of joy and perhaps a touch of melancholy.
Standing slightly apart from her, a man is visible, clad in a dark overcoat and bowler hat. He appears to be observing the woman’s animated gesture with a reserved demeanor. His posture suggests a degree of formality or distance, contrasting with the womans exuberance. The placement of the man on the right side of the composition creates a visual separation between him and the central figure, reinforcing this sense of detachment.
The background is sparsely detailed, consisting primarily of a brick wall partially obscured by an ornate wrought-iron gate and foliage. This limited backdrop focuses attention squarely on the two figures and their interaction – or lack thereof. The snowy ground contributes to the overall atmosphere, evoking a feeling of coldness or transience.
Subtly, the drawing hints at themes of social class and courtship rituals. The woman’s attire suggests a certain level of affluence, while the mans formal dress implies adherence to societal conventions. Their interaction – or rather, the lack of direct engagement – implies a complex dynamic, possibly hinting at unspoken emotions or restrained affections within the context of their time. The drawing leaves open the possibility that this is a moment of departure, perhaps a temporary separation, or even a symbolic farewell to a particular stage in life.