Gustaf Lundberg – Countess Lovisa Ulrika Tessin, née Sparre
64×52
Location: National Museum (Nationalmuseum), Stockholm.
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The artist has rendered the woman’s features with considerable detail. Her complexion appears rosy, suggesting health or perhaps deliberate cosmetic enhancement common for the period. The eyes are light-colored and possess a certain alertness. A prominent nose and full cheeks contribute to a face that is not conventionally idealized but rather conveys an impression of character and presence.
The sitter’s elaborate costume immediately draws attention. She wears a pale, intricately decorated cap adorned with what seems to be a floral embellishment. The neckline reveals a chemise with delicate lace detailing, partially obscured by a dark, richly embroidered shawl or cloak that drapes over her shoulders. A large bow is pinned at the throat, adding another layer of ornamentation. The color palette is dominated by muted tones – creams, blacks, and subtle browns – which contribute to an overall sense of formality and refinement.
The background is indistinct, rendered in a hazy wash of blues and greens that serve primarily to isolate the figure and prevent distraction from her appearance. This lack of detail reinforces the focus on the sitter’s status and personality.
Subtleties within the portrait suggest layers beyond mere representation. The slight smile hints at an inner life, perhaps a sense of self-awareness or even irony. The elaborate dress signifies wealth and social standing; it is not merely clothing but a visual declaration of her position in society. The careful arrangement of fabrics and accessories speaks to a deliberate construction of identity – the presentation of oneself as a person of consequence.
The overall effect is one of dignified presence, conveying an impression of intelligence, experience, and belonging to a privileged echelon of society.