Jan Dirksz Both – Landscape with Mounted Figures
1642-46. Edinburgh University Library
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The landscape itself is rendered with a muted palette of browns, greens, and grays, contributing to an overall sense of quietude and melancholy. A dense thicket of trees occupies the left side of the canvas, its foliage obscuring much of what lies beyond. The artist employed looser brushwork here, creating a textural contrast with the more defined forms in the foreground. To the right, the land gently slopes down towards a distant horizon where faint indications of hills and architectural structures – possibly ruins or a small village – can be discerned through a hazy atmosphere.
The light source appears to originate from above and slightly behind the figures, casting long shadows that stretch across the road and emphasizing the depth of the scene. The sky is overcast, with soft clouds diffusing the light and contributing to the subdued mood.
Subtleties within the painting suggest layers of meaning beyond a simple depiction of travel. The obscured view into the background hints at an unknown or perhaps inaccessible realm. The figures’ bowed postures and somber expressions evoke a sense of weariness or contemplation, hinting at burdens carried both literally and figuratively. The presence of the donkeys – animals associated with humility and perseverance – further reinforces this impression.
The compositions deliberate lack of dramatic incident encourages a meditative engagement with the scene. It is not a narrative painting in the traditional sense; rather, it offers an observation of everyday life within a rural setting, imbued with a quiet dignity and a subtle undercurrent of introspection.