Roerich N.K. – Shambhala Daiki (Message of Shambhala)
No later than 1940. Tempera on canvas. 90 x 121 cm.
Location: Sri Chitralayam Art Gallery (Gallery "Sri Chitralayam"). India.Thiruvananthapuram
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The mountains are rendered with sharp, angular planes, creating a sense of dramatic relief and emphasizing their scale. A thick, atmospheric haze obscures the distant peaks, contributing to an overall feeling of remoteness and mystery. The architecture itself is characterized by geometric forms – cubes, pyramids, and towers – arranged in a seemingly haphazard yet deliberate manner. These structures are not organic or natural; they appear constructed, artificial, and imbued with symbolic weight.
The figure in the foreground is dressed in dark clothing, his posture suggesting movement or perhaps observation. He appears to be looking towards the city, creating an implied narrative of journey or aspiration. The limited detail afforded to this individual reinforces the painting’s focus on the environment and its symbolic implications rather than personal drama.
Subtly, a sense of utopian longing permeates the work. The towering structures suggest a civilization advanced beyond our own, perhaps representing ideals of harmony, knowledge, or spiritual enlightenment. However, the starkness of the landscape and the solitary figure also introduce an element of melancholy – a suggestion that this idealized realm is distant, unattainable, or even lost. The color choices further contribute to this duality; while the warm hues evoke hope and promise, the pervasive cool tones hint at isolation and a sense of profound distance.
The painting’s power resides in its ability to convey complex ideas through simplified forms and symbolic imagery. It evokes not just a place but also a state of mind – a yearning for something beyond the mundane, a search for meaning within an imposing and enigmatic world.