Roerich N.K. – Himalayas #429
Tempera on cardboard 305 x 457 cm
Location: The State Museum of Oriental Art, Moscow (Государственный музей искусства народов Востока).
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The application of paint appears deliberate and textured, with visible brushstrokes contributing to a sense of physicality and emphasizing the ruggedness of the terrain. The artist has avoided traditional techniques of shading or modeling; instead, flat planes of color are juxtaposed to define form and create depth. This approach lends the scene an almost geometric quality, reducing natural forms to their essential structural components.
The absence of any human presence or signs of civilization contributes to a feeling of isolation and vastness. The landscape appears untouched, timeless, and imbued with a sense of spiritual significance. The color choices – particularly the prevalence of cool tones – evoke feelings of tranquility, but also perhaps a hint of melancholy or remoteness.
Subtly, there is an exploration of the relationship between the individual and the sublime. The sheer scale of the mountains dwarfs any potential human presence, suggesting the insignificance of humanity in the face of nature’s grandeur. The simplification of form can be interpreted as a desire to capture not just the visual appearance of the landscape but also its emotional impact – a sense of awe and reverence for the power and beauty of the natural world. Ultimately, the work seems less concerned with topographical accuracy than with conveying an experience of place, a feeling of being confronted by something immense and unknowable.