Himalayas #115 Roerich N.K. (Part 5)

The composition presents a layered vista of mountainous terrain, rendered in a palette dominated by blues and yellows. The artist has structured the scene into distinct horizontal planes, each depicting a range of peaks receding into the distance. These ranges are not depicted with naturalistic detail; instead, they appear as simplified geometric forms – sharp angles and flat surfaces – suggesting an abstraction from observed reality.
The foreground is characterized by deep indigo hues, creating a sense of depth and atmospheric perspective. As the eye moves towards the background, the blues gradually lighten, transitioning into shades of yellow and white that illuminate the highest peaks. This use of color creates a visual hierarchy, drawing attention to the distant summits as if they are radiating an inner light or spiritual significance.
The application of paint appears deliberate and controlled; brushstrokes are minimal, contributing to the overall sense of stillness and serenity. The lack of textural variation reinforces this impression, flattening the landscape into a series of planes that emphasize form over materiality.
Subtly, there is a feeling of vastness conveyed despite the limited color range. The repetition of mountain forms creates a rhythm that suggests an endless expanse. This could be interpreted as a meditation on scale and the sublime – the overwhelming power and beauty of nature. The simplification of the landscape might also imply a desire to transcend the physical world, seeking a more spiritual or symbolic understanding of it. The artist seems less interested in depicting a specific location than in conveying a feeling – perhaps one of awe, contemplation, or even isolation within an immense natural setting.