Roerich N.K. – The Bogatyrs are awake # 33
1940. Tempera on canvas. 91.4 x 152 cm.
Location: Academy of Arts and Culture. Birla. Kolkata (Calcutta), West Bengal, India
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The artist placed several figures within this setting. In the immediate foreground, three individuals are positioned on what seems to be a raised platform or ledge. They are clad in helmets and appear to be observing the scene beyond with an air of solemnity or anticipation. Their posture is rigid, their faces obscured by shadow, contributing to a sense of anonymity and perhaps suggesting archetypal roles rather than individualized portraits.
Behind them, within the cavernous space, lie three reclining figures. These individuals are rendered in a simplified, almost sculptural manner, with elongated limbs and broad torsos. They seem to be slumbering or resting, their bodies blending into the undulating contours of the surrounding terrain. The artist’s use of earthy tones – ochres, browns, and muted reds – reinforces this sense of groundedness and connection to the earth.
The overall effect is one of quiet grandeur and latent power. The contrast between the active observation of the figures in the foreground and the passive repose of those within the cavern creates a dynamic tension. One might interpret this as a depiction of vigilance versus dormancy, or perhaps a symbolic representation of the cyclical nature of strength and rest. The distant landscape, illuminated by an ethereal light, hints at a promise of renewal or a potential for action beyond the confines of the immediate setting.
The absence of detailed narrative elements encourages viewers to engage with the work on a more symbolic level, prompting reflection on themes of duty, resilience, and the enduring power of tradition. The starkness of the composition and the limited color range contribute to an atmosphere of solemnity and timelessness.