Roerich N.K. – Himalayas #437
1943. Cardboard, tempera 30.5 x 45.7 cm.
Location: The State Museum of Oriental Art, Moscow (Государственный музей искусства народов Востока).
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The foreground is defined by a broad band of deep blue, which could represent either water or shadow cast across a valley floor. This dark area serves as a visual anchor, contrasting with the lighter tones above and emphasizing the scale of the mountains. The horizon line sits relatively low in the frame, further amplifying the verticality of the peaks.
The application of paint appears deliberate and controlled, suggesting an emphasis on form rather than texture. Brushstrokes are largely absent, contributing to a sense of stillness and serenity. There is a distinct lack of human presence or any indication of civilization; the scene feels utterly remote and untouched.
Subtly, the painting evokes themes of grandeur, isolation, and the sublime power of nature. The sheer scale of the mountains suggests an insignificance of individual existence in comparison to geological time and natural forces. The monochromatic color scheme reinforces this sense of austerity and detachment, while also hinting at a spiritual or meditative quality. It is not merely a depiction of a place; it seems intended to convey a feeling – a contemplation on immensity and permanence.