The members of the fencers guild welcome the Abbot of Sint-Michiels Jan Josef Horemans (1682-1790)

Here we observe a formal gathering unfolding before a substantial building, likely a residence or institution given its architectural style and scale. A large group of men are arranged in a semi-formal line, facing towards the center of the composition where a figure, presumably the Abbot, is being received. The arrangement suggests an official welcome or ceremonial occasion.
The individuals present display a range of attire indicative of social standing and possible professional roles. Many wear dark coats and breeches, while others are distinguished by brighter colors – particularly red – and elaborate embellishments on their garments. Several men appear to be holding fencing foils, hinting at the group’s association with a fencing guild. Two dogs are present, one near the Abbot and another further down the line of figures, adding a touch of domesticity to the otherwise formal scene.
The building itself is rendered in muted tones, its details somewhat softened by distance and atmospheric perspective. A figure appears on an upper balcony, observing the proceedings; their presence suggests a degree of authority or oversight. The landscape surrounding the building is sparsely depicted, with trees providing a backdrop that frames the event.
Subtleties within the painting suggest layers of meaning beyond a simple depiction of a welcome. The deliberate arrangement of figures implies a hierarchical structure and emphasizes the importance of the Abbot’s visit. The presence of the fencing guild could symbolize notions of honor, skill, or perhaps even protection – qualities that might be deemed desirable in a leader. The dogs, while seemingly incidental, contribute to an overall sense of order and controlled formality.
The subdued color palette and somewhat restrained brushwork lend the painting a solemn and dignified tone. It is likely intended not merely as a record of an event but also as a visual statement about social status, institutional power, and the values upheld by those depicted.