Benjamin Marshall – The Jockey Frank Buckle, the Owner-Breeder John Wastell, his Trainer Robert Robson, and a Stable-lad
1802. 46×37
Location: Yale Center for British Art, Paul Mellon Collection, New Haven.
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On the left stands a young man in vibrant racing silks – a red jacket paired with tan breeches – and a flat cap. He holds riding gloves, suggesting his profession is directly linked to horsemanship. His stance is slightly angled away from the central interaction, implying a position of deference or anticipation.
The three remaining figures are dressed in more formal attire: long coats and top hats. The man positioned furthest right seems younger than the others; he wears a coat draped over his shoulders and holds a blanket, suggesting a degree of less authority or perhaps a role as an assistant. He gazes towards the central interaction with a look that could be interpreted as respect or eagerness to please.
The two men in the center are engaged in a handshake. Their coats are similar in style, but one is positioned slightly forward, his back turned partially toward the viewer. This positioning emphasizes his role as the focal point of the exchange and potentially signifies a position of leadership or ownership within their shared endeavor. The man facing us directly appears to be acknowledging the gesture with an equally formal posture.
The background is indistinct, rendered in muted earth tones that do not distract from the figures themselves. A saddle lies on the ground near the right-hand figure, reinforcing the context of horses and racing.
Subtly, the painting explores themes of class, profession, and social standing within a world centered around equestrian pursuits. The formality of the greeting suggests an important agreement or transaction is taking place – perhaps concerning a horse, a race, or a partnership. The differing attire highlights the distinctions in roles and responsibilities within this group, while the shared gesture of the handshake implies a bond built on mutual respect and common interest. The overall impression is one of controlled formality and understated significance, hinting at a world governed by tradition and unspoken rules.