#14190 Pierre-Albert Marquet (1875-1947)

Here we see a portrait of a woman rendered in a style that blends representational and abstract elements. The subject is positioned centrally against a backdrop composed of fractured planes of color – primarily oranges, yellows, and reds – which create a sense of dynamism and visual complexity.
The artist’s approach to the figure itself is notable. While recognizable as a human form, the face exhibits a certain stillness, almost severity, conveyed through the direct gaze and subtly pursed lips. The modeling of the features isnt entirely naturalistic; theres an intentional flattening in places, particularly around the nose and cheekbones, which contributes to the overall stylized effect. The skin tones are rendered with a muted palette, avoiding excessive detail or vibrancy.
The woman’s attire – a dark red garment with a contrasting white collar – provides a focal point within the composition. The sharp delineation of the collar introduces a geometric element that echoes the fragmented nature of the background. The folds and texture of the fabric are suggested rather than meticulously depicted, furthering the impression of a simplified representation.
The color scheme is dominated by warm tones, which create an atmosphere of restrained intensity. The contrast between the darker clothing and the brighter background generates visual tension. The overall effect is one of quiet dignity combined with a sense of underlying emotional complexity. Theres a deliberate avoidance of sentimentality; instead, the artist seems to be aiming for a psychological portrait – an attempt to capture not just physical likeness but also an essence of character.
The painting’s composition and technique suggest an engagement with modernist principles, particularly in its exploration of form, color, and perspective. The fractured background hints at a world perceived through fragmented experience, while the subjects direct gaze invites contemplation rather than easy interpretation.