Johannes Vermeer – The girl with the red hat, 22.8 x 18 cm, NG Washington
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ВЕРМЕЕР
Ракурс избран, ракурс явлен
Отблеском небесных ягод –
Соком ракурсы полны:
В оном высветлен географ,
Мастерица…иероглиф –
Человек – он знак вины.
Цвет – как будто растворённый
В красках жемчуг, безусловный
В красоте своей. Идёт
Свет из плоских-плоских окон.
Сочетание волокон
Живописный дарит плод.
Северной Европы будни.
Трудно быть собою? Трудно,
Трудно – значит труд горазд.
Графика каналов, если
Город сверху виден – ереси
Взгляд подобен. Город – пласт
Каменный – конторы, лавки.
Ветви тополя, их лапки
Возле окон. Тишь да гладь.
Живопись – дорожка будто
К свету новому. Абсурдно
Просто жить, и есть, и спать.
Ракурс избран. Даден точно.
Значит живопись бессрочна.
You cannot comment Why?
Here we see a striking contrast between the vibrant red of the hat and the darker tones dominating the rest of the scene. The hat itself is voluminous, casting shadows across her face and shoulders, drawing attention to its form while simultaneously obscuring parts of her features. It’s rendered with visible brushstrokes, suggesting a deliberate emphasis on texture and materiality.
The girls attire consists of a dark blue jacket adorned with elaborate gold embroidery around the cuffs and collar. Beneath this, a white lace-trimmed shirt is partially visible, adding another layer of detail to her presentation. Her skin tone appears pale, accentuated by the darker clothing and background. The artist has skillfully employed light to highlight certain areas – notably her face and hands – creating a sense of depth and volume.
Behind the girl lies an indistinct backdrop, seemingly depicting architectural elements – windows and what appear to be decorative panels – rendered in muted greens and yellows. This background is not sharply defined; instead, it appears blurred, serving primarily as a foil for the figure’s prominence. The lack of clarity in the setting contributes to the portraits focus on the subject herself.
The girl’s expression is complex. While there is an element of youthful innocence present, her gaze possesses a certain knowingness, almost challenging the viewer. This ambiguity invites speculation about her character and social standing. The slight parting of her lips suggests a nascent smile or perhaps a moment of quiet contemplation.
Subtly, the painting seems to explore themes of childhood, status, and self-awareness. The elaborate clothing and hat indicate a certain level of privilege, while the direct gaze hints at an emerging sense of individuality. The overall effect is one of carefully constructed artifice – a presentation designed to convey both charm and a degree of inscrutability.