San Francesco (Polyptych of Berbenno) Andrea Previtali (Cordegliaghi) (c.1480-1528)

The circular composition presents a figure in close-up, dominating the visual field. He is depicted wearing a dark brown habit with a hood and a cord around his waist, indicative of monastic affiliation. His shaved head is encircled by a golden halo, signifying sanctity. The face exhibits an expression of intense emotional engagement; the eyes are directed upwards, conveying a sense of profound contemplation or suffering, while the mouth is slightly open as if in a silent gasp or prayer. One hand is raised in a gesture that could be interpreted as either supplication or offering.
Superimposed on the figures right side is a smaller depiction of a crucifixion scene. Christ is shown on a simple wooden cross, his body rendered with a degree of anatomical realism despite its diminutive scale. The positioning of this secondary image directly adjacent to the central figure suggests a direct correlation between their experiences or spiritual states.
The color palette is restrained, primarily utilizing earth tones – browns, ochres, and muted yellows – which contribute to a somber and introspective atmosphere. The limited use of brighter colors focuses attention on the halo and Christ’s wounds, emphasizing themes of divine grace and sacrifice.
A key subtext within this work appears to be an exploration of empathy and shared suffering. The figures emotional response seems directly linked to the depiction of Christs Passion. This suggests a devotional practice centered on identifying with Christ’s pain and experiencing spiritual renewal through contemplation of his sacrifice. The circular format, common in devotional panels, reinforces the idea of wholeness and divine perfection while simultaneously creating an intimate space for personal reflection.