Adolf Heinrich Lier – Flow and level in the evening
1882. 27x52
Location: Old and New National Galleries, Museum Berggruen (Alte und Neue Nationalgalerie, Museum Berggruen), Berlin.
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The river itself is rendered in shades of green and turquoise, reflecting the diffused light from above. Its surface appears relatively calm, though subtle brushstrokes hint at a gentle current. The banks are densely vegetated with dark foliage, punctuated by scattered trees that add verticality to the otherwise flat landscape. A distant horizon line, barely discernible through the haze, suggests an immense depth of space.
The artist’s technique is characterized by loose, expressive brushwork, particularly evident in the depiction of the sky and vegetation. This approach lends a sense of immediacy and naturalism to the scene, avoiding precise detail in favor of capturing the overall mood and atmosphere. The color palette is restrained, relying on earthy greens, browns, and greys, with occasional flashes of brighter hues that draw the eye.
Subtly, there’s an impression of melancholy or quiet contemplation evoked by the subdued lighting and somber colors. The vastness of the landscape, combined with the looming sky, suggests a sense of human insignificance in the face of natures power. The stillness of the river might symbolize the passage of time or a moment of reflection. While there are no figures present, the scene feels imbued with a quiet narrative – a glimpse into a solitary place at dusk, where the elements hold sway and a feeling of introspection prevails.