Bengt Nordenberg – Solar Eclipse
1851. 35.5×46
Location: National Museum (Nationalmuseum), Stockholm.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Below this cosmic display, we see three figures arranged in a triangular formation. A man, positioned centrally and slightly forward, raises his arm as if shielding his eyes to better observe the phenomenon. His posture conveys a sense of awe and perhaps even scientific curiosity. To his right stands a woman draped in a vibrant red garment; her gaze is directed upwards, mirroring the man’s focus on the eclipse. A third figure, seated and partially obscured by the standing individuals, appears less engaged, suggesting varying degrees of emotional response to the event.
The landscape itself contributes significantly to the paintings atmosphere. The terrain slopes downwards towards a body of water – likely an estuary or bay – where a faint band of light reflects the eclipsed sun. Distant buildings and vegetation are rendered in muted tones, creating depth and emphasizing the vastness of the scene. A palpable sense of stillness pervades the landscape; it is as if nature itself holds its breath during this extraordinary occurrence.
The artist’s use of color reinforces the paintings emotional impact. The dark blues and grays of the sky contrast sharply with the pale luminescence emanating from the eclipsed sun and the reflected light on the water. The woman’s red dress provides a focal point, drawing the eye and adding a touch of warmth to an otherwise cool palette.
Subtly, the painting explores themes of human perception and our place within the universe. The figures reactions – ranging from intense observation to passive acceptance – suggest different ways of confronting extraordinary events. The eclipse itself can be interpreted as a metaphor for disruption, change, or even mortality; it is a reminder of forces beyond human control. The smallness of the figures in relation to the vastness of the sky and landscape underscores humanity’s insignificance within the cosmic order. Ultimately, the painting invites contemplation on the interplay between the natural world and the human experience.