Francescuccio Ghissi – The Crucifixion
~1370. 72×50 cm
Location: Art Institute, Chicago.
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The man on the cross is presented with a stark realism; his body appears emaciated and marked by wounds, particularly visible at the site of a puncture in his side. His posture suggests both suffering and resignation. Below him, several figures are arranged in varying degrees of distress. A woman clad in green gestures towards the crucified figure with an expression of lamentation. To her left stands another woman draped in ochre-colored fabric, her face conveying grief and perhaps bewilderment. Two male figures kneel at the base of the cross; one is adorned in a vibrant red garment, while the other wears dark robes, suggesting mourning or penitence.
The artist’s use of color contributes significantly to the emotional impact of the scene. The rich gold background contrasts sharply with the muted tones of the human figures and the somber hues of their clothing. This contrast draws attention to the central figure on the cross and emphasizes his isolation within a larger, divine context. The limited palette reinforces the solemnity of the event.
Subtly, the composition suggests themes of sacrifice, loss, and piety. The arrangement of the figures around the cross creates a sense of communal mourning, highlighting the shared experience of grief. The presence of angels implies divine witness to the suffering, while the banner above serves as a reminder of the figure’s identity and significance within a religious narrative. The overall effect is one of profound sadness tempered by an underlying sense of spiritual meaning.