Rijksmuseum: part 1 – Moni, Louis de -- Vrouw een plant begietend, 1720-1771
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman, dressed in a simple red bodice and white cap with a prominent lace collar, is positioned centrally within the window opening. Her gaze is directed downwards towards a brass watering can she holds, her posture suggesting focused attention on the task at hand. The light illuminates her face, highlighting a gentle expression that conveys both diligence and quiet contentment. A small collection of fruits – grapes and what appear to be apples or pears – are arranged alongside the plants on the window ledge, contributing to an atmosphere of abundance and domestic prosperity.
Below the woman, carved into the stone base of the recess, is a relief depicting several putti engaged in playful activities. These figures, seemingly dancing around a basket overflowing with fruit, introduce a sense of lightness and merriment that contrasts subtly with the woman’s more solemn demeanor. The presence of these cherubic figures could be interpreted as an allegorical representation of fertility, abundance, or the joys of domestic life.
The color palette is dominated by earthy tones – the browns and grays of the stone structure, the greens of the foliage, and the reds and whites of the woman’s attire. The brass watering can provides a focal point with its warm metallic sheen. The overall effect is one of tranquility and intimacy, evoking a sense of quiet domesticity and connection to nature.
The architectural setting – the window recess – creates a feeling of enclosure and privacy, suggesting a retreat from the outside world. This framing also draws attention to the woman’s actions, elevating them beyond mere routine tasks into something worthy of observation and contemplation. The interplay between the natural elements (plants, foliage) and the man-made structure (stone frame, carved relief) suggests a harmonious relationship between humanity and its environment.