Rijksmuseum: part 1 – Ostade, Adriaen van -- De vrolijke boer, 1630-1650
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The man wears a simple cap and what appears to be a rough-spun shirt or tunic, suggesting a rural or working-class background. His expression is one of unrestrained merriment; his eyes are partially closed, and a broad smile reveals teeth. He holds a small earthenware jug in one hand, from which he seems to be taking a drink, while a short clay pipe protrudes from the corner of his mouth. The pipe itself, along with the jug, signifies leisure and enjoyment – elements often associated with peasant life during this period.
The artist’s brushwork is loose and expressive, particularly noticeable in the rendering of the clothing and background. This technique lends a sense of immediacy and spontaneity to the scene. Theres an intentional roughness to the depiction; it avoids meticulous detail, instead prioritizing capturing a fleeting moment of human behavior.
Beyond the surface portrayal of revelry, the painting hints at underlying complexities. The exaggerated expression, while seemingly joyful, could also be interpreted as masking deeper emotions or anxieties. The darkness surrounding the figure suggests a potential isolation or vulnerability. The focus on simple pleasures might subtly comment on the hardships inherent in rural existence, offering a brief respite from daily toil. It’s possible that the artist intended to portray not just happiness, but a carefully constructed facade of contentment.
The works small scale further contributes to its intimacy and invites close scrutiny, encouraging viewers to consider the nuances of human expression and the social context within which it is presented.