Bertholet Flemalle – Achilles wounded in the Heel
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Location: National Museum (Nationalmuseum), Stockholm.
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Around him are several other figures, all clad in armor and weaponry characteristic of ancient warriors. One figure, positioned to the left, appears to be attempting to assist the fallen man, reaching out towards him with a gesture that suggests concern or perhaps a futile attempt at intervention. Another warrior, seated on the ground near the injured man’s feet, seems to be observing the scene with an air of solemnity and resignation.
Standing slightly elevated on a stone plinth, a male figure holds a bow drawn back, poised as if about to release an arrow. He is depicted with a detached expression, seemingly unaffected by the suffering unfolding below him. His nudity contrasts sharply with the armored figures surrounding the wounded man, suggesting a divine or supernatural involvement in the event.
The architectural setting – a colonnade of classical columns – provides a sense of grandeur and formality to the scene. The darkness beyond the immediate action creates an atmosphere of mystery and foreboding. A low-relief panel at the base of the composition depicts additional figures, possibly illustrating related events or providing further context for the narrative.
Subtleties in the rendering suggest themes of mortality, vulnerability, and divine intervention. The contrast between the physical suffering of the fallen warrior and the impassive demeanor of the archer highlights the capricious nature of fate and the limitations of human strength. The smoke or mist enveloping the scene could symbolize obscurity, uncertainty, or the veil separating the mortal realm from the divine. The overall effect is one of tragic grandeur, evoking a sense of loss and the inevitability of suffering within a larger cosmic order.