After A Game Of Tennis Fairlie Harmar (1876-1945)

The composition presents a figure reclining on a chaise lounge within what appears to be a domestic interior. The subject, presumably female, is positioned diagonally across the frame, her body angled towards the viewer while her face rests turned slightly away. She wears a striped dress of blue and white, the fabric rendered with visible brushstrokes that convey texture and movement. A dark ribbon or belt cinches her waist, providing a visual anchor amidst the pattern.
The setting is characterized by an understated elegance. The chaise lounge itself is upholstered in a floral patterned fabric, contrasting with the stripes of the dress. Behind the figure, a framed still life hangs on the wall – a small arrangement of flowers within a vase – adding depth and suggesting a cultivated taste. A glimpse of another chair can be seen to the right, further establishing the room as a space for leisure and repose.
The lighting is soft and diffused, bathing the scene in a gentle glow that emphasizes the languid posture of the reclining figure. The artist’s handling of light contributes to an overall atmosphere of tranquility and relaxation.
Beyond the surface depiction, several subtexts emerge. The title suggests a moment of post-exertion rest – a transition from activity to leisure. This implies a certain social standing; the ability to engage in recreational activities like tennis and then indulge in quiet repose speaks to privilege. The figure’s closed eyes and relaxed pose suggest not only physical exhaustion but also a state of mental detachment, perhaps a moment of introspection or escape.
The compositions intimacy – the close proximity of the viewer to the reclining subject – creates a sense of voyeurism, inviting contemplation on themes of privacy, leisure, and the representation of femininity within domestic spaces. The still life in the background might be interpreted as symbolic of beauty, fragility, and the fleeting nature of time, subtly contrasting with the figure’s apparent stillness.