Part 6 Louvre – Зиттов, Михаэль (Ревель Эстония ок 1468 - 1525-26) -- Коронование Марии
1496-05, 24х18
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To the womans right stands a younger male figure, also dressed in red robes, who mirrors the gesture of the seated man, further reinforcing the idea of divine endorsement or transfer of power. A dove hovers above the scene, centrally positioned between the two men, likely symbolizing the Holy Spirit.
The kneeling woman is draped in white garments, her head bowed in a posture of humility and reverence. She appears youthful and serene, her expression suggesting acceptance rather than supplication. The artist has rendered her skin with a delicate luminosity that contrasts with the darker tones of the male figures.
A group of angelic beings surrounds the central action. They are depicted with pale complexions and flowing garments, their expressions conveying awe and participation in this sacred event. One angel holds what appears to be a crown or diadem, poised to place it upon the woman’s head. The angels arrangement creates a sense of enclosure and emphasizes the sanctity of the moment.
The background is characterized by swirling clouds rendered in warm hues of orange and gold, creating an ethereal atmosphere. A dark, rocky ledge forms the base of the scene, grounding the heavenly action within a terrestrial space.
Subtly, the painting explores themes of divine legitimacy and succession. The mirroring gestures of the two male figures suggest a lineage or transfer of authority. The woman’s kneeling posture underscores her submission to this higher power, while her youthful appearance hints at future significance. The presence of angels reinforces the notion that this event is divinely ordained and carries profound spiritual weight. The overall effect is one of solemnity, reverence, and the bestowal of a significant honor or title upon the woman.