Part 6 Louvre – Кривелли, Карло (Венеция c.1430-35 - 1493-95) -- Мертвый Христос, поддерживаемый ангелами
17х12
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The two supporting figures, clearly angels based on their wings, are rendered with delicate features and expressions of solemn grief. They gently cradle the deceased man’s arm and shoulder, offering what appears to be both physical support and empathetic comfort. Their garments are richly colored – one in red and the other in a lighter hue – adding visual interest and contributing to the overall sense of reverence.
The background is relatively simple, consisting primarily of a muted greenish-brown gradient that fades towards the upper edges of the panel. This subdued backdrop directs attention toward the central figures and amplifies their emotional impact. The limited depth of field contributes to a flattened perspective characteristic of early Renaissance painting.
Subtleties within the work suggest layers of meaning beyond the immediate depiction of death and mourning. The careful rendering of anatomical detail, particularly in the deceased man’s body, hints at an interest in realism and humanism prevalent during the period. The presence of angels, traditionally associated with divine grace and protection, introduces a theological dimension – suggesting not merely suffering but also solace and potential redemption. The vibrant red cushion could symbolize royalty or sacrifice, further enriching the narrative possibilities.
The overall effect is one of poignant melancholy tempered by an underlying sense of hope and spiritual significance. The artist’s skillful use of color, light, and composition creates a deeply moving portrayal of loss and divine compassion.