Юэ, Поль (1803-1869) – Наводнение в Сен-Клу Part 6 Louvre

The canvas presents a scene of inundation, dominated by a vast expanse of water that has submerged what appears to be a wooded area and a road. The composition is structured around this flooded landscape, with tall, slender trees rising from the waters surface, their bare branches reaching towards a turbulent sky. A palpable sense of melancholy pervades the scene, amplified by the muted color palette – primarily browns, grays, and ochres – which conveys both the somberness of the event and the damp chill of the atmosphere.
In the foreground, two figures are depicted in a small boat, actively rowing against the current. Their posture suggests urgency and effort as they navigate through the floodwaters. To the right, a horse-drawn cart stands partially submerged, its wheels high above the water line; the horses themselves appear to be tethered nearby, seemingly resigned to their situation. The figures are rendered with a degree of realism, yet lack individualized features, contributing to their role as representatives of a broader populace affected by this natural disaster.
The artist’s handling of light is noteworthy. A diffused luminosity emanates from behind the trees on the horizon, creating a visual break in the otherwise oppressive gloom. This subtle illumination does not dispel the darkness entirely but rather highlights the scale and depth of the flooded landscape. The sky itself is rendered with swirling brushstrokes, suggesting an ongoing storm or at least unsettled weather conditions.
Beyond the immediate depiction of physical devastation, the painting seems to explore themes of human resilience in the face of adversity. While the scene conveys a sense of loss and disruption, the figures’ actions – the rowing boat, the tethered horses – suggest a determination to endure and adapt. The submerged cart could be interpreted as a symbol of disrupted progress or lost stability, while the trees rising from the water might represent hope and renewal amidst destruction.
The compositions horizontal format reinforces the feeling of vastness and overwhelming power of nature. The artist’s choice to focus on ordinary people caught in an extraordinary circumstance lends a universal quality to the work, inviting contemplation on humanity’s relationship with the natural world and its capacity for both suffering and perseverance.